bright young folk

Belshazzar’s Feast discography

Find The Lady

Belshazzar’s Feast

2010 Studio album

the bright young folk review

’Find the Lady’ is Belshazzar’s Feast’s latest musical offering, following on from the excellent ’Food of Love’.

You can expect more of the same musicianship and silliness, in beautiful songs and well-crafted tune sets, plus some guest appearances.

The album opens with Wild Rover, and it is great to hear a variant of the hackneyed favourite. It is also interesting to note the extra impact of a more fleshed out sound with guitar from Jim Moray (who also produces) and backing vocals provided by Jackie Oates.

Widows Shall All Have Husbands/Hey Boys Up Go presents the classic Belshazzar’s Feast sound with stylised and funked up tunes on accordion and fiddle.

In contrast Threshermen pulls the tempo of the album back with a simple tale of farming life. This very much sets the rhythm of ’Find the Lady’ which rolls gently from gentle to pacy, serious to silly in a most natural way.

The one bump along the way is Primus Hornpipe. It has a very Jeeves and Wooster-ish 1920’s feel, which is not in itself a criticism. Unfortunately the comedy dancing is not a success, which is a shame when the duo can deliver such good humour.

However, there are two redeeming features later on in the album, the first being Bloomsbury Market/Bloomsbury Hypermarket. It is the best tuneset of the album, building steadily to a satisfying crescendo and demonstrating Belshazzar’s Feast’s knack for both a good tune, and a good name.

The best is, despite the cliche, saved for last. Home Lad, Home, written during the first world war is beautiful both lyrically and musically. Paul Sartin sings with immense respect and understanding of the lyrics demonstrating the best qualities of his vocal talents. The song is a spine-tingling piece of perfection.

’Find the Lady’ loses its way a little at times, but it has some inspired flashes that make it a worthy addition to any folk collection.

Liz Osman

Released on 27 September 2010 by One Little Indian Records. Produced by Jim Moray with original album artwork by London Belle Alex Merry.

1. Wild Rover
2. Widows Shall All Have Husbands
3. Thresherman
4. Queen Of Hearts / Well Done Jack
5. Primus Hornpipe
6. Lull Me Beyond Thee
7. Turtle Dove
8. Bloomsbury Market / Bloomsbury Hypermarket
9. Circle of Biscuits
10. Queen Of the May
11. Royal Flush / Elephant Stairs
12. Home Lad, Home

Belshazzar’s Feast discography

Reviews

From the opening chords of ’Wild Rover’ you know you are in for a treat with Belshazzar’s Feast’s new CD ’Find the Lady’. Paul Sartin & Paul Hutchinson - joined on some tracks by Pete Flood on percussion, Jackie Oates on vocals, octave violin & viola and Jim Moray on guitar - are in great form in a selection of mostly traditional tunes and songs in some stunning arrangements.

There are a plethera of good tunes, including Paul Hutchinson’s cracking medieval-ish stomp ’Royal Flush’, the mournful and lovely ’Lull me beyond thee’ and the strangely mysterious ’Circle of Biscuits’ - complete with suitably enigmatic percussion.

The Primus Hornpipe -’a camp little number’ according to the sleeve notes - wouldn’t sound out of place at a quality tea dance and comes complete with a plethora of star guests and tricks. As usual, listen out here and elsewhere for surprise snippets of the likes of The Sound of Music, Carmen, Die Fledermaus, Angels from the realms of glory, and did I hear a flash of Scott Joplin?

In amongst the jollity & tunes snuggles the hauntingly beautiful ’Turtle Dove’ as sung by Edith Sartin in 1907, who would surely be proud of her descendant’s version. A combination of low accordion and quietly soaring oboe accompanies a wistful tale of love and separation, with some wonderfully gentle and expressive singing. ’Queen of the May’, likewise, is perfection in its simplicity of delivery and warm string interjections.

The CD closes with ’Home Lad Home’ - Cicely Fox Smith’s evocative poem about a first world war soldier, who, hearing the chink of harnessed horses and gun carriages is reminded of farm labourers returning from the fields in his Hampshire village. The gentle setting and sonorous lower strings and accordion are a wonderful soundscape of evening sunlight and memories of happier times, as the church clock chimes and all return home ’at the quiet end of day’.

There are a couple of anomalies - Jackie Oates’ backing vocals in ’Wild Rover’ are frustratingly distant, and the reverb/echo in the remembrance verse of ’Home Lads Home’ is odd. But these are very small niggles. This is one CD I know I will keep coming back to again & again.

Sarah Roberts
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